| Single Reviews: May 2005 |
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The Lights - Neighbours (Seeca Records) - download only single - 30/05/2005 Featuring ex-Monoman member Ryan Kane and Imogen Andrews, formerly of Strange Nation, this West London outfit are described as "Stevie Wonder writing songs for The Human League". Hmmm... T: Sounds more like KC and the Sunshine Band having a friendly, informal meeting with Jamiroquai to me... N: Despite Kylie and Jason, who adorn the sleeve, this really has nothing - that's NOTHING - to do with the Aussie soap, apart of course from the fact that they have chosen to call the song "Neighbours". An obvious Jay Kay influence is what leaps out, but The Human League or Stevie Wonder? Nah. T: I thought you were just going to leave it as "This really has nothing", and I wouldn't have disagreed. N: That's a little cruel. It's funked up and souled out enough to find its place in a long hot summer. I can see now where Kylie and Jason fit in. This is late eighties, and perhaps somewhat past its sell by date. Let's hear something further from the group before we commit them to the Atomic Dustbin. 5/10 |
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Morning Runner - Drawing Shapes (Parlophone) 23/05/05 So called
because the band noticed how whenever you see blueprints for a building
or whatever, they're always made of little boxes. So, "this is
our first e.p. - it's us drawing shapes". |
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British Sea Power - Please Stand Up (Rough Trade) 23/05/05 Second single from the band's glorious "Open Season" album, I'll be going home in a huff if Nick doesn't agree that this deserves at least an "8". T: Marvellous track - one of the best on the album, and I think the moments where the band utilise such breathy vocals as they do here work just perfectly. N: Those breathy vocals to which you refer seem to fit perfectly with the similarly desperate guitar riff, which sets this out as a classic. In some ways, an Afghan Whigs, Kitchens of Distinction or even the Jazz Butcher Conspiracy from time-to-time, a fine collection of artists with which to share history. T: Or put another way, just a superb record. 9/10 |
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The Glitterati - She's Gone (Atlantic) 23/05/2005 Squeeze on your Spandex and get that embarrassingly dodgy perm done, for The Glitterati are back! N: Cocks the size of a skyscraper and the attitude to accompany, that's what first became apparent when listening to this single. T: It hadn't struck me until this single how incredibly CAMP The Glitterati are. Perhaps it's the Judas Priest style hook that does it, but there's definitely an element of effeteness about them. N: But Frankenfurter had a cock, and surely he was the epitomy of camp! T: Ah but don't get me wrong - I think this really is a bundle of fun and should see them climb still further up the Bon Jovi ladder of chartiness. N: But surely you could call this the Big Mac of current rock trends. The meal you can eat without filling you up! The single's finished now, and I really can't remember what it was about. T: But like a Big Mac, you've still room for more afterwards. Though I suspect I like this more than you do. N: The same could be said about your last girlfriend... 6/10 |
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C-Jags - Paradise Park / Please Please (Voluptuous) 16/05/05 Inspired by the likes of Richard Hell and the Voidoids, The Police and Iggy Pop, C-Jags release their debut double-a-sided single this month amidst a steadily increasing stream of A&R men clamouring for their signature. N: Alright, following the fisticuffs we've almost had this morning, I'll lay my cards on the table by saying that this is a blinder. T: It's the sort of thing that I often like admittedly, but unfortunately it's a bit TOO derivative of the initial influence cited for me to get too excited about it. What I mean to say is that Hell and co did it better, as did The Damned in their earlier days, but yes, I do agree that it's a good single. Just listen to "The Kid With the Replaceable Head" and tell me you can't see the similarity. No bad thing I know, as they have a fine defining taste that should shape them into a band to watch over the next 12 months, but I feel they need to develop their OWN sound a bit more rather than rely so heavily on their peers. N: The past three minutes do seem to have lasted far longer than the counter suggests, the downside being, as you've suggested, that the band are following current trends rather than being themselves, or anything particularly new. 7/10 |
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Stevie
Wonder Featuring Q-Tip So What The Fuss (Motown) 16/05/2005 |
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Marc Caroll - A Way Back Out Of Here (Evangeline) 25/04/2005 Marc Caroll,
an artist who released his second album 'World On A Wire' earlier this
year, has taken this work described as "his most personnal
and commited yet" from this album. From
the cover I have to say that this cast a shadow suggesting a rather
dowdy and somewhat boring 4 minutes, but what about his music? |
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